83-88, Rosebush plein air studies.

I'm working on loosening myself up by doing plein air (like how I painted in Edmonton when I first started self teaching!) I'm sitting in the same spot each time, and I'm interested in my brushwork but also what I notice or don't notice day to day. The angle is always slightly different, and the ground is never the same. I do different times of day each time so I get light variances too.

I count the split painting as one because I painted the two halves side by side.

I want to do 24 of these at least.